We laugh at those now but Hollywood FX had to begin someplace. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature models served motion pictures well for a long period of time, allowing futuristic motion pictures such as Fritz Lang's Metropolis. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic look real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that needed sea fight footage utilized miniature models in big water tanks. This, and a method referred to as taking a trip matte, produced the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of special effects experts.
Additional advancement came when effects supervisor Douglas Trumball created brand-new strategies for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the obstacle and astounded audiences with Star Wars in 1977. His team created a brand-new computer system controlled cam that enhanced duplicated camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually originated Hollywood FX since.
Today, we are utilized to the concept of movies being shot with a blue screen and the background being included later. Computer Graphics Imaging (CGI) controls the scene now. Any object or person can be controlled by the computer system and combined in with the live action. This approach was put to excellent usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has actually presented it to their complete length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are practically gone. The Weta workshop in New Zealand has actually developed a credibility as one of the best special effects companies, especially because the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has made the return of the epic motion picture possible. It would have been cost expensive to develop a mock up of the Coliseum in Gladiator. Russell Crowe fights the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to begin somewhere. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually pioneered Hollywood FX ever considering that.
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